Catálogo online TIMELINE:BH #5

Saiu o catálogo do TIMELINE:BH 5

TIMELINE:BH#5 2019

Publish at Calameo

Manual do Zueiro Sem Noção / Nonsense Guerrila´s Manual

Manual do Zueiro Sem Noção / Nonsense Guerrila´s Manual

A crise estrutural crônica característica do vigésimo primeiro século da era Comum, e sua resultante perplexidade  política, são as razões pelo abrupto surgimento do zueiro do século XXI.

The chronic structural crisis characteristic of the twenty-first century of the Common Era, and its resulting political perplexity, are the reasons for the abrupt emergence of the nonsense guerrilla in the 21st century.

Direção /Directed by: Joacélio Batista

Roteiro/ Screenplay: Marina Viana,Joacélio Batista

Desenho de som / Sound Design: Jalver Bethônico

Atores / Actors:  MC Jojoca, DJ Carapina, Sir´Ene.

Festival of Video Art Miden - Greece

July would normally be the month that the biennial festival of Video Art Miden would take place in open public spaces in Kalamata, Greece. Due to the recent implications caused by the coronavirus measures globally, the festival in physical spaces has been postponed, but Video Art Miden team started, already since April, during the strict quarantine in Greece, to present curated video art programs online on a monthly basis on Miden’s youtube channel, continuing at the same time its collaborations with other organizations in Greece and abroad. The online screenings will continue over the next months, as, even if they were initiated due to a disturbing and unpleasant reason, they soon developed into a global meeting point between artists and the public and gave the opportunity to more art lovers in every corner of the globe to enjoy the work of well-known and young video artists from all around the world who participate in Miden’s screenings.

The online program for July includes the following video art units, which will remain open and accessible to the public from 1 to 31 of July 2020: Ophelia (curated by Nikos Podias & Gioula Papadopoulou), What matters (curated by Margarita Stavraki), Eternal Return (curated by Olga Papadopoulou) and Post Quarantine II (curated by Maria Bourika).

Participant artists/works:

Ophelia // Curated by Nikos Podias & Gioula Papadopoulou

What could be so powerful as to cause us lose touch with reality? How harmful can love be? Ophelia loves Hamlet, she learned to love him! She wishes to save him, to pull him back to life, to share his heavy burden. She is trapped in the unfulfilled, the impossible, between what she wants and what is to happen. What is to happen does not leave her much space. She experiences loss, despair and the ultimate pain. She is lost. An accident or a choice. Her ending seems sacred, reminiscent of a ceremony. In the water, where life begins. Among the beautiful, fragile, ephemeral flowers…

Iwona Ogrodzka, Submission, Poland 2019, 4.40

Nuno Veiga, Mugre, Portugal 2019, 11.20

Tania Bohuslavska, Melancholia, Ukraine 2017, 1.35

Gianluca Capozzi, Ophelia, Italy 2019, 10.18

Anna Cecilia Seaward, Sacred Geometry, Hungary 2018, 4.19

CINTAADHESIVA (Jesus Andres & Silvia Penas), The Caretaker, Spain 2018, 4.55

Tessa Ojala, Perfer et obdura, Finland 2019, 2.17

Bene Malen, spielen (PLAY), Silvia Morandi Performance, Italy 2019, 10.31

Isabel Perez del Pulgar, Tintura en negro, France 2019, 4.57

Tseng Yu Chin, Scenery other end, Taiwan 2018, 9.10

More info (synopsis of the works and artists’ bios) for Ophelia can be found here

______________________

What matters // Curated by Margarita Stavraki

A video selection, where the body, space or object convey messages through a poetic aesthetic.

Yossi Galanti, Disrupted Landscape #4, Israel 2018, 2.17

Mohamed Ismail, Five by five, Egypt 2019,5.15

Daphna Mero, Can you count to 100?, Israel 2020, 2.00

Nicholas Chin & Ernest Zacharevic, Rewild, Indonesia 2019, 4.03

Ursula San Cristobal, Public Intimacy, Spain 2019, 3.59

Marcia Beatriz Granero, Tabaroa, Brazil 2018, 6.11

Barbara Brugola, To See the Sky, Dance, Italy 2018, 3.30

Emnoyumno: Zhon-Zhon Sandyr & Kuchyran Yuri, Lud, Russia 2019, 3.39

Eta Dahlia & Iris Colomb, Semechki, UK 2018, 1.50

Stefano Croci / Maria Stella Andreacchio / Agata Torelli, Scusate la Polvere, Italy 2017, 6.23

Lorenzo Papanti, Organic Mechanisms, Italy 2019, 2.30

Matthew Henze, Stain, USA 2019, 3.09

Louise Coetzer & Oscar O’Ryan, GIVE/TAKE (the act of erasure), South Africa 2019, 3.54

Vojtech Domlatil, Waves, Czech Republic 2017, 3.00



______________________

Eternal Return // Curated by Olga Papadopoulou

10 video-artists explore the concept of an eternal ,“sisyphic” repeat, through surrealistic, philosophical, sarcastic or humorous  tales, in which the effort is often in vain and the distinction between beginnings and endings is rather inconclusive.

Andrej Polukord, Fishing No.:1, Lithuania 2018, 1.25

Lorenzo Papanti, Traction/Compression (Limit), Italy 2018, 1.41

Joacelio Batista, Ich bin der übermensch, Brazil 2018, 9.28

Deyan Clement, Ambitious Sisyphus, Serbia 2019, 2.20

Emanuelle Dainotti, San Nepomuceno, Italy 2018, 5.02

Guillaume Martial, Spontaneous habitat #2, France 2018, 2.00

Susanne Wiegner, Melting fields, Germany 2018, 8.35

Eleonora Roaro, Vanishing Point, USA 2019, 6.24

More info (synopsis of the works and artists’ bios) for Eternal Return can be found here

______________________

Post Quarantine II // Curated by Maria Bourika

Questioning on social distance: identity, environment, time.

Gerard Freixes-Ribera, Identity Parade, Spain 2017, 4.00

Anton Hecht, Breathtaking, UK 2019, 2.35

Jean-Michel Rolland, Traces:Birds, France 2018, 1.00

Gerald Habarth, Trees and Ice, USA 2019, 3.53

Anji Taratuta, Timeless, Russia 2019, 4.50

Geertrui De Vijlder, Parler de la pluie et du beau temps (English: Small talk), Belgium 2019, 4.35

Leyla Rodriguez, BOOM, Argentina/Germany 2018, 6.34

ACCI BABA, eternal return / op.1 wonderful world, Germany 2018, 1.00

Deborah Kelly, The Gods of Tiny Things, Australia 2019, 5.25

Sergey Valyaev (Voogie), MUMIY TROLL – MILOTA, 2019, Russia 2018, 3.11

Francesca Leoni & Davide Mastrangelo, Alzaia(S), Italy 2019, 4.11




 The programs will remain available online on Video Art Miden’s youtube channel from 1 to 31 of July 2020.



Info: www.festivalmiden.gr || www.facebook.com/videoartmiden ||
https://www.instagram.com/videoart_miden/

SPAMM - 4BR3 4 tU4 M3NT3, D35con3c+4 /// ONLINE EXPO

SPAMM - 4BR3 4 tU4 M3NT3, D35con3c+4 /// ONLINE EXPO

Zaratan - Arte Contemporânea

Last days to view the online exhibition “SPAMM - 4BR3 4 tU4 M3NT3, D35con3c+4”, which ends on the 16th of May. Zaratan thanks the artist-curator Systaime, without whom the organization of this project would not have been possible, and all participating artists:

Aaron Hayes, Adem Elahel, Agnam Yrrech, Alba Rocca, Alina Kashitsyna, Alix Desaubliaux, Andres Maniste, Antonio Roberts, Armin Copp, Ben-Grosser, Benjamin Gaulon, Billy Gruner, Christian Petersen, Claudia Hart, Claudia Maté, Dafna Ganani, Danial Nord, Crrrprk, Dasha Ilina, David Kagan, David Legrand, Diane Coudray, Diego Ramos, Dilar Pereira, Diogo De Tita, Don Miller, Doro Electrolo, Edward Kulemin Elena Romenkova, Eleonora Quadri, Elle Thorkveld, Eva Carina Jiménez, Fabian Forban, Faith Holland, Filipe Matos, Francisco Pinto, Haydi, Heather Lyon, Hernan Arambarri, Hernando Urrutia, Ian Heil, Jasper Elings, Jeremy Griffaud, Jeremy Rotsztain, Joacelio Batista, Jorge Sellés, Josefin Jonsson Pastelae, Joseph Nenci, João Branco, Judith Van Den Berg, Kenneth Jeffrey, Laura Hyunjhee Kim, Laura Peixoto, Liliana Vasques, Loïc Sutter, Luis Carlos Rodríguez, Marcell Muranyi, Mariana Charrua, Marina Glez Guerreir, Mark Klink, Milad Forouzandeh, Milos Peskir, Nicole Rugiero, Oblinof Kohara, Oliver Haidutschek, Paul Hertz, Pedro Veneroso, Pierre Ajavon, Pitch Shifting, Potentiel, Rafaela Silva, Raphaël Moreira Gonçalves, Saveme Oh,Susanne Layla Petersen, Systaime,Tudor Ciurescu, Untxura,Violeta Lisboa, Xavier Leton, Xavier Madrid, Yohanna Ovalle, Yoshi Sodeoka, Zil&Zoy, Zves Konstantinos.

Para mais informação: https://zaratan.pt/pt/exhibit/81

Join #videovirus, a #videoart marathon

join #videovirus, a #videoart marathon

video artists are invited to publish one video a day on a special Facebook page

At now, we count 215 video, by 114 artists...

https://www.facebook.com/pg/UnitedVideoArtists/community/

Se me rendo, por quê sigo com a cabeça em direção ao muro? no MADATAC XI

El video Se me rendo, por quê sigo com a cabeça em direção ao muro? fue seleccionado para el MADATAC XI que se celebrará en Madrid, España. El video está en el programa 03 de la Sección Oficial Internacional.  La proyección se llevará  en el 20 de abril a las 21:00 horas en el Cine Estudio del Círculo de Bellas Artes - Calle del Marqués de Casa Riera, 4.

La undécima edición del Festival MADATAC, que tuvo que ser aplazada en abril 2020 al 19 de octubre de 2020 debido a las medidas de restricciones originadas por la alerta sanitaria mundial, y nuevamente aplazada por el confinamiento de la ciudad de Madrid, finalmente tendrá lugar en y desde Madrid del 16 al 22 de noviembre 2020, con una reducción de sus espacios de exhibición naturales en favor de una Muestra de Arte Digital Audiovisual virtual, al mismo tiempo que se convertirá en la primera edición de una Bienal y Museo Virtual de Arte de los Nuevos Medios Digitales.

 

Con más de un centenar de artistas de todo el mundo, sus obras de arte se exhibirán en un formato online a través de experiencias de realidad virtual, videos equirrectangulares en 360º o instalaciones interactivas inmersivas, una programa híbrido que se combinará con proyecciones y performances AV en streaming y presenciales, como las sesiones de programas de arte audiovisual que ofreceremos en el Círculo de Bellas Artes de Madrid el 19 de noviembre a partir de las 17:00 hrs y hasta las 23:00 hrs:

SECCIÓN OFICIAL INTERNACIONAL / INTERNATIONAL OFFICIAL SECTION [Programa / Program #3] 

Marta di Francesco, Sybil  [REINO UNIDO – UK, 2020]   2′ 30″
Ausín Sanz, Cuatro paredes  [ESPAÑA – SPAIN, 2020]  8’ 18’’
Bruno Quast, Pao Pae  [ITALIA – ESTONIA / ITALY, 2019]  4′ 04″
Heidi Hörsturz, Do You Like Me? [ PAISES BAJOS – NETHERLANDS, 2020]  6′ 00″
Hiroya Sakurai, The Stream VIII  [JAPON – JAPAN, 2017]  6′ 54″
Fran Orallo, Death Dance  [ESCOCIA-ESPAÑA  / SCOTLAND-SPAIN, 2018]  1’ 00”
Joacelio Batista, Se me rendo, por quê sigo com a cabeça em direção ao muro?  [BRASIL-BRAZIL , 2019]   4′ 21″
Patricio Ballesteros, No On  [ARGENTINA / ARGENTINA, 2019]  3’ 45”
Maria Korporal, Life-X-Change  [ALEMANIA – GERMANY, 2018]   5′ 00″
Sandra Araújo, Mom I’Am Not Eating!  [PORTUGAL, 2019]   3′ 53″
Thomas Lisle The Shadows Strategy [REINO UNIDO / UK, 2019]  14:00″
DURACIÓN TOTAL / TOTAL LENGTH: 60′

Detalles
Fecha:
abril 20
Hora:
21:00 - 22:00
Categorías del Evento:
Sección Oficial Madatac XI, Videoarte
Etiquetas del Evento:
PROGRAMA 3- XI
Web:
https://www.circulobellasartes.com/ciclos-cine/
Organizador
MADATAC XI
Web:
madatac.es
Local
Cine Estudio del Circulo de Bellas Artes
Calle del Marqués de Casa Riera, 4
Madrid, Madrid 28014 España + Google Map
Teléfono:
915 21 35 09
Web:https://www.circulobellasartes.com/ciclos-cine/

MADATAC tiene como objetivo servir de faro y proyección de videoartistas y creadores audiovisuales que se encuentran inmersos en la articulación de propuestas experimentales e innovadoras dirigidas a estimular el lenguaje de la narrativa cinética convencional y que trabajan con las herramientas de los nuevos medios digitales.
Se trata de un proyecto internacional independiente con una filosofa abierta y sin fines de lucro, que pone especial énfasis en la innovación, la originalidad y el riesgo de proyectos audiovisuales enfocados hacia el New Media Art.

Su objetivo es fomentar la participación de la ciudadanía en los ámbitos del arte audiovisual y videoarte e impulsar el intercambio de conocimientos entre profesionales para servir de laboratorio colectivo en el que los artistas puedan presentar al público, crítica, comisarios, coleccionistas, instituciones y empresas, así como a otros artistas, sus más recientes creaciones. Con ello se pretende apoyar y descubrir trabajos de investigación en este campo, tanto prácticos como teóricos, que emplean los recursos de las nuevas tecnologías, con el propósito de construir puentes universales entre artistas y organizaciones volcadas hacia el arte audiovisual más transformador.


https://www.facebook.com/MADATAC/
http://madatac.es/event/seccion-oficial-internacional-international-official-section-programa-program-3/

https://madatac.es/tag/programa-3-xi/

Se me rendo, por quê sigo com a cabeça em direção ao muro? no Ibrida 2020

O Video If I surrender, why do I keep my head against the wall? / Se me rendo, por quê  sigo com a cabeça em direção ao muro? fará parte do IBRIDA 2020, Festival Delle Arti Intermediali. em Forlì Itália.

Ibrida, festival de artes intermediárias, foi criado em 2015 com o objetivo de investigar e divulgar as mais recentes produções e pesquisas no campo do audiovisual experimental (videoarte, found footage, meta-cinema, animação 2D e 3D, etc.), acolhendo de forma natural a arte performativa e a música eletrônica.  O festival tem curadoria do Projeto Vertov, com a direção artística de Francesca Leoni e Davide Mastrangelo e a colaboração crítica de Piero Deggiovanni.


Abaixo segue a lista de todos trabalhos  selecionados para o Ibrida  2020:



VIDEO
PERCEZIONI
1. Death dance – Fran Orallo
2. Anina Excerpt II – Alcaeus Spyrou
3. Massacre – Jean-Michel Rolland
4. PERFER ET OBDURA – Tessa Ojala
5. To See The Sky, Dance – Barbara Brugola
6. Kopacabana – Marcos Bonisson & Khalil Charif
7. MOVE – Andrea Velloso
8. Time accident – Methas Chantawongs
9. Le visage d’outremer – Gabriele Rossi
10. /// – Ignazio Fabio Mazzola

SEGNALI
1. BOOKANIMA: Dance – Shon Kim
2. Incavi – Lisa Lamon (menzione speciale Asolo Art Film Festival)
3. Ani_av1 (collage18) – Luis Carlos Rodriguez Garcia
4. STRATEGIE DELLE TENSIONI – Lorenzo Papanti
5. Liquid Traits of an Image Apparatus – Vera Sebert
6. Chair – Laure Catugier
7. TEHRAN – Masoud Moein
8. O.s.C – Organes sans Corps  – Lorenzo Oggiano
9. ELECTRonNIC WATER – Lisi Prada

DIGITAL ART
1. Uncertain Terrritory – Laura Focarazzo
2. Travel Notebooks: Dubai, United Arab Emirates – Silvia De Gennaro
3. “Untitled” – Kostas Gourtzis
4. I Stalk Myself More than I should – Sofia Braga
5. Beach Umbrella (파라솔) – Mark Jan van Tellingen & Sjoerd ter Borg
6. Geophone – Georgios Cherouvim
7. Digital Fossil_Corrupt Galatian – Milos Peskir
8. DON’T YOU KNOW YOU’RE QUEEN – Arice
9. “INFOTOXICATION”- Andre Perim
10. Bleed – Igor Imhoff

VIDEO PERFORMANCE
1. If I surrender, why do I keep my head against the wall? – Joacelio Batista
2. Recitative – Shir Handelsman
3. Freedom has Never Tasted so Good – Mia B. Adams

4. GENIUS LOCI – YIANNIS PAPPAS
5. Velarium – Filomena Rusciano
6. ENCYCLIA – KHIREDDINE KHALDOUN
7. Collective Action – Raoof
8. Relationship-resistance – Nikola Dabić
9. Happily Ever After – Alva Morgenstern
10. Oh Boy – Hadi Moussally (menzione speciale Asolo Art Film Festival)




https://ibridafestival.it/
https://www.facebook.com/ibridafestival/

https://allevents.in/events/ibrida-festival-video-streaming/200020027414425